Event Recap: AdWeek — The Future Of Measurement

CBS’ Chief Research Officer David Poltrack, CMO of AOL Advertising Erika Nardini, and IPG Mediabrands’ Global CEO Matt Seiler came together this morning to talk about the future of audience measurement in a hyper-connected, multi-platform world.  Representing the three key facets of the market (media companies, digital advertisers, and agencies, respectively), the three panelists debated shifting consumer behaviors and how the industry is adapting to such changes.

Time- and place-shifting

The increase in watching content on different devices, and different times, has greatly affected traditional measurement.  “As a network, CBS is still reaching as much audience as we did back in 2000, once the DVR numbers factor in,” said Poltrack, “but we are now reaching an audience where 62% of them are also simultaneously on mobile devices,” which poses new challenges to audience measurement. Nardini agreed with him while adding that “mobile is the future, and our mobile strategy is ‘video strategy’”.

Receptivity

“Ad performance is no longer entirely about impressions or other traditional metrics,” Nardini explained, “it’s about resonating with the audience through a message”. Poltrack also commented on CBS’ recent efforts in bringing in long-term ad effects that are monitored throughout the whole span of ad campaigns into consideration, citing that the long-term effect is usually 2 or 3 times higher in key measurements than the short-term effect.

Simplicity

As Mr. Seiler reminded the audience, “at the end of the day, simplicity always wins”. Speaking from the agencies’ perspective, clients aren’t interested in overcomplicated media plans and metrics. Setting up a cross-platform programmatic ad system is central to simplifying and unifying the scattered development in audience measurement.

 

Why Netflix Shows Are The New Indie Movies

Is Netflix is the new Miramax? The same audacious, innovative energy that gave rise to the indie-film movement in the 90’s has now migrated to OTT original programming, with shows like Netflix’s Orange Is The New Black and Amazon’s upcoming Transparent featuring the kind of daring, envelope-pushing content that would be tough to picture on basic cable, let alone the broadcast networks. That, combined with the broad-appealing, mainstream TV and movie content the OTT services carry, will no doubt continue to change the TV industry in this post-DVR era.

To learn more about the upcoming changes in the TV industry, check out our latest white paper on OTT services.

What the Living Room Revolution Means to Brands

Download the whitepaper “OTT: What The Living Room Revolution Means to Brands”

Television has been the core medium for the advertising industry for decades. While other media such as web and mobile-based content have eaten into its share of audience attention, it still offers brands the widest reach. Moreover, the audience’s desire to relax on the couch with their families and be entertained by a big HD screen is a unique desirable experience that newer mediums can’t replace.

What is beginning to change, however, is the underlying structure of Television. The idea that TV shows are arranged in linear numbered channels is no longer a technical requirement. A generation is rising that is less receptive to the concepts of expensive bundles, traditional interruptive ad breaks, and being locked into accessing certain content on some screens but not others.

In an on-demand, de-bundled, cord-cut world, the big question is “What now for marketers?”

In this paper we attempt to lay out the current landscape, the promising technologies that are budding, and the exciting future possibilities that lie ahead.

Download the whitepaper “OTT: What The Living Room Revolution Means to Brands”

Verizon Plans To Introduce Internet-Based TV Service

Watch out, Netflix! Your archrival Verizon might be entering your turf soon. The telecom giant is reportedly working on an Internet-based TV service will arrive sometime in mid-2015. Most significantly, the service would adopt the “a la carte” model and let users freely customize their channel subscription. If implemented as such, this might just be the next stage of the cord-cutting movement.

CBS CEO Admits Live TV Viewing “Virtually Irrelevant Now”

At the Goldman Sachs Annual Communacopia Conference, head of CBS TV Les Moonves confirmed what we already know: “overnight ratings are virtually irrelevant now.” While stressing that CBS is still “monetizing the majority” of the time-shifted audience, the executive also praised OTT service Netflix for facilitating year-round programming, which CBS has been dipping its toes into. After this rather candid remark, it will be interesting to see how the broadcaster will continue to evolve its business model.

TV Still Rules, But OTT On The Rise

According to a new global survey conducted by London-based GlobalWebIndex, TV still rules as the No.1 channel for media consumption, taking up 23% of total media time on a global average. The U.S. audience tops the list of most daily TV time with an average of 4.33 hours per day.

However, the study also reveals a rising usurper likely to end TV’s reign. As over-the-air TV viewing continues to rise (now at nearly an hour of daily viewing on average in the US), OTT video service is growing popular, particularly among the young adults. It has reportedly taken up one-third of total TV time among 16- to 24-year-olds across the world. If the viewing preference of young people indicates future media viewing habits, the traditional TV industry will need to keep up.

How Amazon Is Testing Its New Original Shows

When it comes to producing original content, Amazon is often overshadowed by its major competitor Netflix, but it’s quickly catching up. Their populist method of letting the audience decide the fate of its new pilots, for instance, points to an innovative way for the entertainment industry to give audiences what they want. Another new thing Amazon is trying this year is to take a page out of the Netflix playbook by attaching big Hollywood names to its original contents. How these efforts measure up to the dominance of Netflix, however, remains to be seen.

IPG Media Lab & Peel Present Innovations In Cross-Screen Targeting: A Case Study

IPG Media Lab partnered with Peel — the remote control app that drives TV ratings.
Key questions of the study:

  • How does the effectiveness of TV and mobile advertising compare across branding metrics? Is either more successful at driving consumers to take action?
  • What’s the benefit, if any, of re-targeting consumers on mobile devices based on their past exposure to TV advertising?
  • Does frequency of exposure play a role?

Download The Study

More Reality TV To Incorporate Activity Tracker FitBit

CBS is integrating Fitbit Flex activity trackers into this season of “Big Brother,” letting viewers track the contestants’ indoor movement and other physical data. Although this is the first time a wearable technology will be incorporated into prime-time TV, several other reality shows, as suggested by the source, also seem eager to jump on the tracking bandwagon as well (curiously absent from the list, however, is CBS’s Emmy-winning global traveling competition show The Amazing Race). The jury is still out on whether, or rather, how fast would our voyeuristic demand of documenting surveillance in reality entertainment overflow into our personal daily life. Nonetheless, reality TV might just very well become the foreground for normalizing consumer wearable tech.

Netflix Looking To Redefine TV-Watching With Native Ads

Netflix is looking to change the negative connotation of binge-watching TV by declaring that TV, as a medium, is getting better. Through this impressively produced native ad on Wired, Netflix is, somewhat audaciously, positioning itself as the force that elevated television’s medium status from cultural wasteland. One point it brought up, however, is truthfully valid: the easy access to comprehensive TV catalogues provided by over-the-top service providers like Netflix does help to cultivate a more consumer-led, sophisticated TV market. Therefore, it is disrupting the traditional model that the industry was accustomed to.

This is just one of the two recent high profile cases of “Snowfall” native ad that Netflix has tried its hands on (the other one ran on NY Times). Seeing the attention and acclaim of both ad has received, one can’t help but wonder if such success is truly replicable, if even cost-efficient. Entertainment is a great fit for this new breed of ad because there would already be a narrative for the ad to build on, But would it actually work for other marketing efforts as well?